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Mozart had studied the compositions of the old masters as well as those of his contemporaries diligently, and he was constantly working on his own improvement. In reality his works are the result of relentless learning and not little toil. The clarity and lightness of Mozart’s creations led generations of music-lovers to the erroneous opinion that he composed his works without any effort, “as the bird sings”. Mozart’s sonatas are to me like a poem by Goethe: they simply exist and it is hard to believe that once they did. His music has something comparable to the look in a child’s eye: unfathomable. One can approach the mystery of Mozart only with the help of metaphors. On the other hand, Mozart’s depth of thoughts and feelings is more elusive and not so easily recognizable. Both interpreter and listener should feel it. 111 one senses an otherworldliness transcending normal musical expression. Indeed, in the variation movement of his last Piano Sonata op. For a long time Beethoven was considered to be more profound his works stood for the expression of the transcendental and ineffable. It would be absurd to ask which of the two masters expressed more depth in his music. “Beethoven is superb, but Mozart is sublime”. No other classical composer labeled a movement “amoroso” (Andante of the Sonata in B flat major, K. It requires the ability of a feeling heart to express music as an affectionate communication between performer and listener. Mozart’s ability to express the deepest thoughts with the fewest notes is why it is so difficult to play his music properly. In these words the great Mozart interpreter Edwin Fischer expressed an essential message: every note Mozart wrote is a reflection of his character – affectionate, sensitive and yet at the same time powerful and virile, abounding both of inspiration and an early acquired masterly control comparable in some ways only with that of Johann-Sebastian Bach. If I want to show my love to a dear person, I sit down at the piano and play for her a piece of Mozart”. A true treasure trove of interesting and exciting facts about Mozart’s piano sonatas! And only available on the Henle website. In addition, all of this is rounded off with observations on the significance of the sonata and historical keyboard instruments. a link to a YouTube-Video that is worth seeing.
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the musical text of the opening (incipit).title information, key, KV number, HN order number, price.a first-class, knowledgeable introductory text (Paul and Eva Badura-Skoda).In the following, you can find facts and information on each of the 18 masterpieces that we have put together especially for you: new, updated preface in German, English, French (not for all titles).Urtext identical with the Henle reference edition (HN 1 and HN 2).ideal for all those who only want to play one or a few sonatas.Henle Publishers not only in the proven two collected volumes but also as single Urtext editions.
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All of Wolfgang Amadeus Mozart’s piano sonatas are available from G.